Want to practice your redoble (roll)?
Here’s a tangos footwork pattern that incorporates the flamenco redoble.
You may use this step as an exercise or even as a remate in your dance.
How to dance flamenco, flamenco travel in Spain, flamenco dance students and their experiences, interviews with flamenco artists, translations of flamenco letras (songs) from Spanish to English
Viewing entries tagged
practicing
Want to practice your redoble (roll)?
Here’s a tangos footwork pattern that incorporates the flamenco redoble.
You may use this step as an exercise or even as a remate in your dance.
Watch the following videos then try the bulerías palmas activity at the end of this post.
Here is one of the letras:
Here’s a flamenco step (a tangos remate) with abanico.
Add it to a dance, or use it as an exercise to work on:
* Contratiempo
* Opening the abanico
* Coordination
* Strengthening your rhythm
Here’s a video tutorial of a flamenco step with abanico.
Incorporate it into a choreography, or
Use it as a practice exercise to improve:
opening and closing the fan
contratiempo
coordination
In the video tutorial below I take you through the basic movement of the hands and fingers used in flamenco dancing.
First we’ll focus solely on the movement of the hands.
Then we will look at the finger movements.
Here’s a video of Zorri singing bulerías at Peña la Bulería in Jerez, a letra, followed by an activity for you to strengthen your rhythm and listening skills!
Mira si yo a ti te quiero
porque tú te llamas Rosa…
Do you practice your flamenco hand movements?
Practicing 'manos' is a must for every flamenco dancer.
The good news is that there is not one right way to move the hands in flamenco.
Here’s a fun llamada por tangos with lots of contratiempo and a redoble.
Learn it step by step below…
Ready to dance?
Below find another step to put with any palo in the rhythm of twelve.
Let’s learn it step by step:
Here’s an exercise n the compás of 8 you can use to practice coordinating footwork with palmas.
This one is also good for practicing beginning on the same foot you end on, which can be challenging as you build speed.
Here’s a flamenco footwork pattern in the compás of 12.
Use this as practice exercise, or add it to a dance.
The second part of the pattern is a remate, so this step would work well to close something in your dance.
Looking for flamenco dance tutorials?
You’ve come to the right place.
This past year, I began creating and sharing short flamenco dance lessons online.
Below I take you through a marking step in the compás of twelve.
Add it to one of your dance choreographies, or use it as an exercise to practice changing directions, spotting, holding a focused gaze, or body positioning.
Looking for bulerías music to practice your ‘dancing with the cante’ skills with?
I’ve got you covered!
The video below offers you over eight minutes of bulerías music, including several letras, to practice to.
Wondering how to dance to the cante?
I have some ideas for you.
Here are ten of my favorite stretches to do before, after, or in the midst of dancing.
They target the different parts of the arms, legs, feet, hands, and spine.
International Flamenco Day is November 16th.
What will you do to celebrate?
Here are ten ideas:
Rhythm,
You either have it or you don’t.
Can we please bust this myth right now?
Because rhythm can be learned.
Feel like dancing bulerías?
You can do so with the video below.
But first, here’s one of the letras you’ll hear:
Do you have a hard time watching video of yourself dancing flamenco?
You’re not alone.
While we may not choose to publicly share video of ourselves dancing, it can be a great tool to use for personal growth.
Do you know how to dance a bulería corta? And do you know when it’s appropriate to do so?
Find out exactly which components you need to include in your short dance, see four examples (each deconstructed to help you better understand the structure), then practice doing one of your own!