Could you incorporate the flamenco step below into a dance?
Use this tangos footwork pattern to: strengthen your contratiempo, practice technique, coordinate palmas with footwork, or as part of a flamenco dance choreography.
How to dance flamenco, flamenco travel in Spain, flamenco dance students and their experiences, interviews with flamenco artists, translations of flamenco letras (songs) from Spanish to English
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Hows & Whats
Could you incorporate the flamenco step below into a dance?
Use this tangos footwork pattern to: strengthen your contratiempo, practice technique, coordinate palmas with footwork, or as part of a flamenco dance choreography.
Want to practice your redoble (roll)?
Here’s a tangos footwork pattern that incorporates the flamenco redoble.
You may use this step as an exercise or even as a remate in your dance.
Here’s a flamenco marking step that uses the abanico in a percussive way.
We can create rhythms with the fan by tapping it against the body while open or closed.
In this instance we have the fan open.
Here’s a simple yet punchy tangos marking step for you to add to your collection.
The ending works great with the caída of the cante or when the guitar resolves.
Learn this step and use it in your bulerías pataíta.
You could use this step as a llamada, remate, or even a patá.
Looking for a bulerías llamada with a twist?
Here’s one for you to try.
Watch the video tutorial then check out the notes below for additional support with this step:
Fancy up a basic flamenco marcaje with this simple but pretty abanico movement.
Below I show it to you in the 12-count compás, but you could adapt it to any rhythm.
Take a peek at this tutorial video then see the notes to follow for additional support:
Here’s a flamenco step (a tangos remate) with abanico.
Add it to a dance, or use it as an exercise to work on:
* Contratiempo
* Opening the abanico
* Coordination
* Strengthening your rhythm
Here’s a video tutorial of a flamenco step with abanico.
Incorporate it into a choreography, or
Use it as a practice exercise to improve:
opening and closing the fan
contratiempo
coordination
In the video tutorial below I take you through the basic movement of the hands and fingers used in flamenco dancing.
First we’ll focus solely on the movement of the hands.
Then we will look at the finger movements.
Do you practice your flamenco hand movements?
Practicing 'manos' is a must for every flamenco dancer.
The good news is that there is not one right way to move the hands in flamenco.
Here’s a simple tangos marcaje you can use to work on:
Pitos (finger snaps),
Hips,
Coordination, and
Arm positioning
The following twelve count marking step is all about the body.
The feet are pretty simple. (Phew.)
It’s the movement of the body and arms that makes the step.
Ready to dance with the abanico?
Here’s a step you can add to:
Your bulerías at the end of a guajiras
Your bulerías de Cádiz at the end of alegrías
A falseta or escobilla
Here’s a new tangos combination for you.
You may use it:
As the singer comes to the end of a line of the letra
When the singer takes a respiro, a pause
Or simply as an exercise to practice coordinating contratiempo sounds with fluid body movements.
Is getting better at flamenco on your list of goals for the new year?
(Mine too.)
One of the best things you can do to advance your flamenco skills and understanding this year is to implement a regular flamenco routine.
Here’s a fun llamada por tangos with lots of contratiempo and a redoble.
Learn it step by step below…
Ready to dance?
Below find another step to put with any palo in the rhythm of twelve.
Let’s learn it step by step:
Holiday season is in full swing.
Perhaps you’re in search of a gift for that flamenco loving friend on your list,
Perhaps it’s time to gift yourself something, or
Perhaps you need to give your friends and family some ideas.
Here are nine holiday gift ideas:
Here’s a step that combines marking with footwork.
Use it with any palo in the rhythm of 12.
Ready to try it?