How are your pitos, finger snaps?
Here’s a simple tangos marcaje combination you can use to work on details like that as well as:
Arm movements, coordination, hands, head placement, and hips.
Watch the video tutorial here
How to dance flamenco, flamenco travel in Spain, flamenco dance students and their experiences, interviews with flamenco artists, translations of flamenco letras (songs) from Spanish to English
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dance tips
How are your pitos, finger snaps?
Here’s a simple tangos marcaje combination you can use to work on details like that as well as:
Arm movements, coordination, hands, head placement, and hips.
Watch the video tutorial here
Use this flamenco dance mini lesson to practice:
Opening, closing it, and moving the fan.
Here’s a simple yet punchy tangos marking step for you to add to your collection.
The ending works great with the caída of the cante or when the guitar resolves.
In the video tutorial below I take you through the basic movement of the hands and fingers used in flamenco dancing.
First we’ll focus solely on the movement of the hands.
Then we will look at the finger movements.
Do you practice your flamenco hand movements?
Practicing 'manos' is a must for every flamenco dancer.
The good news is that there is not one right way to move the hands in flamenco.
The following twelve count marking step is all about the body.
The feet are pretty simple. (Phew.)
It’s the movement of the body and arms that makes the step.
Ready to dance with the abanico?
Here’s a step you can add to:
Your bulerías at the end of a guajiras
Your bulerías de Cádiz at the end of alegrías
A falseta or escobilla
Ready to dance?
Below find another step to put with any palo in the rhythm of twelve.
Let’s learn it step by step:
Here’s a simple marcaje that uses the abanico to make a little bit of noise.
With this step we close the fan when tapping it against the body to make sounds.
The step goes like this…
Below I take you through a marking step in the compás of twelve.
Add it to one of your dance choreographies, or use it as an exercise to practice changing directions, spotting, holding a focused gaze, or body positioning.
Dance with me!
Learn this short tangos combination with abanico.
We begin with a simple marcaje in the first compás,
And finish with a remate in the second compás.
Here’s a flamenco step that combines marking with footwork.
Use it with any palo in the rhythm of 12.
Or use it as a technique exercise.
I recommend approaching the step like this:
So you want to better understand how to dance bulerías with the cante?
I have an idea for you,
But first, here’s a letra.
(You can watch Carmen Herrera dance to this as José Mijita sings in the video to follow.)
Do you have a hard time watching video of yourself dancing flamenco?
You’re not alone.
While we may not choose to publicly share video of ourselves dancing, it can be a great tool to use for personal growth.
Test your bulerías knowledge by taking the following quiz.
It's short.
It's fun.
And you might learn something or just bathe in the satisfaction of realizing how much you already know.
Ready?
Do you love dancing por tangos?
Today I’m going to invite you to dance along as María Terremoto sings (and dances) some amazing tangos
Here’s the first letra you’ll hear her sing in the video below:
The following flamenco dance tips were born out of a longing to be back in class with Mercedes Ruíz. Because I love it there. I love how we learn, the focus on technique, the repetition, watching Mercedes move.
So here are eleven tips I’ve learned studying with her over the years. Each tip includes a brief exercise to help you apply it.
Did you set a flamenco (or any type of) resolution last January?
How’s that going?
If the goals you set feel like distant memories, read on. Today I will tell you how you can get back on track and explain why you don’t want to beat yourself up for having let things slide.
What should you do if if you have just 15-20 minutes a day to practice?
That’s what a student asked me to find out when I interviewed Jesús Carmona last month.
Here are the five recommendations he shared along with videos to help you get started on your own at home. (Some of what he advises might surprise you.)
The first thing Jesús mentioned was the need to strengthen our abs. Don't know where to start? Try this:
Do you have a hard time finding the motivation to practice?
I hear you.
. . . And I want to help!
The following ideas will not only spice up your practice but will also make you a better dancer. Apply them to a full choreography, part of a dance, a combination, or even a single step.
1. Do it while singing (or humming) the melody.
OBJECTIVE: Connect the music to the dance. Move your focus away from the steps. Improve your memory. Improve your focus.
2. Do one part over and over.
OBJECTIVE: Solidify and perfect a given part.
3. Do it facing different directions in the room.
OBJECTIVE: Stop relying on the mirror. Focus. Test your knowledge of the dance. Learn to adapt to different situations. Prepare for performance.