Guerra, guerra, guerra
Con esa bata de cola
tú vienes pidiendo guerra
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Viewing entries tagged
cante
Tangos
Déjate de tonterías
que has pasaito por mi vera
y no me has dao los buenos días
Here’s a video of a young Estrella Morente por siguiryas and a letra
A la sierra de Armenia
yo me quiero ir …
December is here, and it’s time for villancicos.
Here is one of the letras Camarón sings por bulerías in today’s video:
It is a traditional verse
I have a treat for you.
It’s a short video I took of José Mijita after our cante class on the Flamenco Tour to Jerez.
We were getting ready to leave when one of the students asked José if he would sing a final letra for us.
![Q & A with Flamenco Singer David Lagos [Video]](https://images.squarespace-cdn.com/content/v1/568079e7bfe873f15c115eee/1647044641228-4J5HR9QZQRHRN1DA1M3M/IMG_6048.jpg)
“I never made a conscious choice to pursue flamenco. I was born in a place (Jerez) and into a family where flamenco was a natural part of life,” - David Lagos
Enjoy this brief video interview to learn more about one of the foremost flamenco singers of today, David Lagos, winner of the Premio Andaluz del Flamenco,
Guitarists, I think you’re going to like this one.
Following the letra you’ll find a video that touches on how you can accompany something like this.
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Do you know how to dance a bulería corta? And do you know when it’s appropriate to do so?
Find out exactly which components you need to include in your short dance, see four examples (each deconstructed to help you better understand the structure), then practice doing one of your own!
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Here is a tangos letra that we hear María Terremoto sing the other night here in Jerez.
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Here is a fandangos letra was written by my friend, Alfonso Cid.
Following the letra you can watch him sing it on the street at a demonstration in Sevilla.
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Here's one more bulerías from Manuel Moneo. Watch him relaxing and laughing with his friends while singing (con mucho arte) below.
Bulerías
Qué malita fue tu madre
A ti te ha cortao todo el pelo
y a mi me ha tirao a la calle
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Today I wrap up the flamenco cuplé series with a bonus post, one more song, and a few more videos:
Un Compromiso
Alfredo García Segura y Gregorio García Segura
Sin firmar un documento,
ni mediar un previo aviso,
sin hablarnos, ni mirarnos
ha nacío un compromiso.
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Flamenco singer Manuel Moneo passed away earlier this week.
The huge mural of him that you see in the picture above was steps away from where we study bulerías on the Flamenco Tour to Jerez in the historic flamenco neighborhood of San Miguel. (You can see a video on the making of the mural below.)
Manuel was known for his siguiriyas and soleá. Here you can watch him singing martinete in Carlos Saura's movie, Flamenco.
To sing flamenco well one needs to be able to feel and to love,
~ Manuel Moneo
He talks about this concept in the video interview below where you'll not only hear some of his story but also learn about the importance of el Barrio San Miguel, La Plazuela, to flamenco.
But first, let's listen to him sing por bulerías (con mucho arte). Here is one of the letras you'll hear:
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Here's a caña letra for you followed by a video of Jesús Carmona (who is coming to Portland in the spring for a show and workshops) dancing.
Caña
Popular
Yo soy como un libro abierto
todo el mundo puede leerme
tú siempre me estás leyendo
pero no has llegado a comprenderme
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Malagueñas
Popular
Hincaíto de rodillas
a mi Dios me encomendé
qué remedio buscaría
para olvidar yo tu querer
y me dijo que no lo había
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You're going to love listening to the tangos in the video below (Trrrrrust me). And the way it's filmed makes you feel like you're right there at the fiesta, so go ahead, play along with palmas. Here's one of the letras you'll hear:
Tangos
Tú te colocas y en frente de mí,
que por si acaso yo me caigo pa' trás
empújale el columpio más
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The moon is almost full, so I've included a lunar themed letra for you. (Though this one would make more sense on a new moon...) And since yesterday's video analysis was a hit, I decided to do another. Below you'll find a video of Beatríz Morales dancing to today's letra and giving many clear examples of what it looks like to dance to the cante along with my description of where each component of the structure occurs within her dance. Check it out, and find out what the ultimate bulerías goal is.
Bulerías
Esta noche la luna a mí no me acompaña
Me voy solo pa' casa
No espero al alba
La luna se ha enfadado por no llevarla
anoche a la verbena de Santa Ana
No me enfades luna, tú no me enfades.
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![Bulerías Made Simple [The Structure of a Bulerías Dance & How It Relates to the Cante]](https://images.squarespace-cdn.com/content/v1/568079e7bfe873f15c115eee/1499384968842-1S9JWZZSPQYMQOEAEMVX/Umi%27s+shoes+dancing.jpg)
Bulerías is arguably one of the hardest flamenco forms to dance due to it's improvisational nature, complex rhythm, and nuanced cante. But dancing bulerías is less mysterious than you may think. Once you understand the components of the dance and how they relate to the music (the singing and the compás) you'll be well on your way to obtaining bulerías freedom.
Below l explain the basic bulerías por fiesta structure and how it relates to the cante. After that you'll find a video of Pastora Galván along with an analysis describing where she dances each component of the structure. Finally I give you an activity to help you internalize the information.