Today you'll find two videos of the same letra, one version as tangos, the other as bulerías...
Dancing flamenco is never just about the dancing. It is a conversation between the dancer and the musicians. As dancers we need to hear where the changes and resolutions are in the music (especially the cante) so that we can respond with our dancing. Below find an activity that you can do from home to train your ear to dance with the cante.
And speaking of cante, we worked with the following letra during the Flamenco Retreat at the Oregon Coast last weekend. (See some pictures below). We looked at where the cante resolved then put in remates with palmas and later baile to reflect that. Watch María Toledo sing it por tangos and Marina García sing it por bulerías below:
Tangos (& Bulerías)
Popular
No me pegues bocaítos
Que tú me haces cardenales
Cuando yo voy a mi casa
A mí me los nota mi madre
A couple of weeks ago you saw Rocío Carrasco dancing bulerías. See another video of her today, this time singing the letra below:
Bulerías
Yo me acuerdo noche y día
De mi barrio San Miguel
Y yo canto por bulerías
Por bulerías de mi Jerez
Here's another one I got from Alfonso.
It is a bulerías coletilla to go at the end of a guajiras.
(After the letra you'll find a video of Rocío Molina. Just because.)
Traditional festivals (ferias) take place in towns big and small across southern Spain during the springtime. Locals dress up, dance, sing, eat, and have A LOT of fun. There are the bigger ferias (those of Sevilla, Jerez...) and there are the smaller ferias (those of Sanlúcar, El Puerto...). These exclusive springtime ferias are unique to Andalucía, and each one has its very own encanto (charm). One of the great things about the feria is that there you get to see both professionals and everyday people dancing flamenco; some may not dance very well technically, but they dance from the heart.
Below you'll see a video of Samara and Rocío Carrrasco at this year's Feria del Caballo in Jerez along with pictures from a variety of ferias in Andalucía.
This one is dedicated to all the beautiful mothers, Happy Mother's Day! (Thank you, Mom!)
Madre Hermosa (Copla)
Juanito Valderrama
Ay, mi mare!,
como un rayito de luna
regüerto con azahares.
Mare hermosa,
vieja de pena por dentro,
por fuera como una rosa.
Mare buena,
con los ojitos de novia
y la cara de azucena.
¡Qué alegría cuando
le digo a la gente:
qué guapa la mare mía!
Last week we watched Paloma Fantova get into it, so this week I want to show you a video of Belén López (who always goes all out) along with an alegrías letra.
From Sin Ti Yo No Sé Vivir (Alegrías)
La Nitra
Yo sé que ya no volverás
No quiero recordar
Que te fuiste pa siempre
Sin ti yo ya no sé vivir
Me he acostumbrado a ti
Y no quiero perderte
Y no te tengo primo
Y no te tengo
Today in honor of International Dance Day, I have a couple of videos to share with you that will surely make you want to move. You'll love how into it Paloma Fantova gets in the first video. After that watch Parrita sing today's letra.
¡Feliz Día Internacional de la Danza!
El Agua Más Cristalina (Chorus)
El Parrita
El agua más cristalina
El vaso más reluciente
El mejor mantel que tenga voy a ponerle
No viene a cenar cualquiera
Viene el señor de señores
Y el rey de reyes
It’s pretty easy to find places to see flamenco in Madrid. The challenge is knowing where to find quality flamenco. (Yes, you can see plenty of mediocre flamenco even in Spain, and if you’re in Spain, you definitely want to see the good stuff!) So today I'll tell you about four places you can go to see quality flamenco in Madrid, show you some videos of fantastic dancers in action, and address the idea of the 'touristy' flamenco show.
The Flamenco Tablao
One of the best ways to experience flamenco in Madrid is to visit a tablao, a place where flamenco is performed. Here are four tablaos where you can (usually) count on seeing good flamenco in Madrid:
Bulerías (a coletilla)
Popular
Son los toreros
los que se amarran
cinta en el pelo
Today a letra,
a video of Rocío Molina dancing guajiras,
and four things I do to prepare for a show.
Today's post is not a flamenco letra; it is an acrostic that was written for Mercedes Ruíz when she was about eleven years old. It is written on this photo that hangs on a wall at the Peña Los Cernícalos.
Mercedes
Es, Jerez de la Frontera,
Rica sal de Andalucía,
Conquistando a España entera,
Ella se llama altanera,
Dichosa, como su abuela,
Este nombre de solera
Soy niña de la Plazuela.
Mistakes are an inevitable part of learning and provide us with opportunities to grow. An absence of mistakes means we are not trying. However, repeating the same mistake means we are choosing not to improve.
Today we’ll look at how to learn from a mistake.
Today a bulerías letra and a video of Camarón singing it with Paco de Lucía on guitar.
Bulerías
Popular
Abuelos, padres y tíos
de los buenos manantiales
se forman los buenos ríos
From Consejos, coplas, apuntes
Antonio Machado
Me despertarán
campanas del alba
que sonando están.
(My kitty cat, Frances, helped me write out this one. You can see the pictures below.)
I love this tangos from Tomás de Perrate. (It's fusion well done.)
Watch and enjoy, and find the first letra below:
Tangos
Yo me quisiera inventar
Una máquina del tiempo
Tangos
Excerpt from "Que Desgraciaitos Son" Paco de Lucía/Camarón
La virtud es la alegría
Que te alivia el corazón
Y la desgracia es la pena,
La tristeza y el dolor.
Enjoy this video of Marco Flores dancing por bulerías at Las Carboneras in Madrid and this letra por bulerías.
Bulerías
Popular
Yo no sé por qué motivo
esta gitana lo hace
tan malamente conmigo
Today, this beautiful song, and a video of Buika performing it.
Mi Niña Lola
Andrés Molina Molés / José Torres Garzón / Luís Rivas Gómez
Dime porqué tienes carita de pena.
¿Qué tiene mi niña siendo santa y buena?
Cuéntale a tu padre lo que a ti te pasa.
Dime lo que tienes reina de mi casa.
Bulerías
Popular
No quiero decirte nada
No vaya a ser que se te ponga
la carita colorada
Last weekend we studied flamenco dance with Emilio Ochando. In class we were reminded that learning steps is one thing while learning how to execute them and use our bodies well is another thing. Below find eight lessons I took away from the workshops with Emilio:
1. Accent
Create accents with the body, the hands, the feet. This gives your dance dynamics and personality.
