Here’s a simple tangos marcaje you can use to work on:
Pitos (finger snaps),
Hips,
Coordination, and
Arm positioning
![Easy Tangos Step [Flamenco Dance Steps]](https://images.squarespace-cdn.com/content/v1/568079e7bfe873f15c115eee/1676533002213-RY7PJUWD4881D1OKB4TZ/IMG_6378.JPG)
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![Try This Simple Tangos Combination [Flamenco Dance Steps]](https://images.squarespace-cdn.com/content/v1/568079e7bfe873f15c115eee/1673385458330-N4V8QWQR9KWUFEHZFMGA/IMG_5467.JPG)
Here’s a new tangos combination for you.
You may use it:
As the singer comes to the end of a line of the letra
When the singer takes a respiro, a pause
Or simply as an exercise to practice coordinating contratiempo sounds with fluid body movements.
Is getting better at flamenco on your list of goals for the new year?
(Mine too.)
One of the best things you can do to advance your flamenco skills and understanding this year is to implement a regular flamenco routine.
![Tangos Llamada [Flamenco Dance Steps]](https://images.squarespace-cdn.com/content/v1/568079e7bfe873f15c115eee/1671864490255-6ND72VTPCQT990CJY8UT/IMG_5041.JPG)
Here’s a fun llamada por tangos with lots of contratiempo and a redoble.
Learn it step by step below…
Looking for flamenco dance tutorials?
You’ve come to the right place.
This past year, I began creating and sharing short flamenco dance lessons online.
![Bulerías Marcaje Tutorial [Flamenco Dance Steps]](https://images.squarespace-cdn.com/content/v1/568079e7bfe873f15c115eee/1666742148526-LB8HQFV4RFS0KBOF74XA/IMG_3601.JPG)
Looking for a simple marcaje to add to your bank of bulerías steps?
Here’s one you can use in a variety of ways.
Try it with me here:
![Learn This Tangos Step [Flamenco Dance Steps]](https://images.squarespace-cdn.com/content/v1/568079e7bfe873f15c115eee/1662665254524-UTP9KMVM1HQQ6OTTFRF1/IMG_2426.JPG)
Ready to learn a simple remate por tangos??
Use this remate to add a little flair to a choreography you already have, or
Put on some of your favorite tangos and do it over and over again as an exercise, or
Create your own dance and make this one of your steps.
![12 Count Marcaje Tutorial [Flamenco Dance Steps]](https://images.squarespace-cdn.com/content/v1/568079e7bfe873f15c115eee/1662187008426-9UN4DWBGJJYF9BSDHL9W/IMG_2123.jpg)
Here’s a flamenco step that combines marking with footwork.
Use it with any palo in the rhythm of 12.
Or use it as a technique exercise.
Ready to try it out?
I recommend approaching the step like this:
![A Bulerías Marcaje for You [Flamenco Dance Steps]](https://images.squarespace-cdn.com/content/v1/568079e7bfe873f15c115eee/1661536649254-R68NWEEIE12YKEMEGH3B/IMG_1984.jpg)
In anticipation of Bulerías Made Simple this weekend….
Below find a step for you.
It’s a Bulerías Marcaje.
I recommend approaching the step like this:
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Do you have a hard time watching video of yourself dancing flamenco?
You’re not alone.
While we may not choose to publicly share video of ourselves dancing, it can be a great tool to use for personal growth.
Keep Watching
How did you find flamenco?
This is one of my favorite things to ask flamenco lovers.
I love learning people’s flamenco stories, don’t you?
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Do you know how to dance a bulería corta? And do you know when it’s appropriate to do so?
Find out exactly which components you need to include in your short dance, see four examples (each deconstructed to help you better understand the structure), then practice doing one of your own!
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It’s the final day of the year, so let’s take some time to reflect before ringing in the new year. What moments stood out in your flamenco life this year?
Below you can see some of my favorite flamenco memories from 2018 (in chronological order). I feel extremely grateful for the wonderful experiences this year delivered. One of the things I most love is how each event pictured below offered a new opportunity to join with flamenco lovers from across the country (and the world in some cases) to enjoy this incredible art form together.
Here are my top seven flamenco memories of the year
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I love asking flamenco artists I admire what advice they have to offer to the flamenco student. Here are thirteen suggestions from some of the best:
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Do you wonder where to go to learn about flamenco history? Flamenco singing? Flamenco styles? The terminology?
Below you’ll find a variety of resources to assist you on your quest for more flamenco knowledge.
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Read on for my seven biggest takeaways from this month's workshops with flamenco maestro Jesús Carmona followed by a challenge for you.
Jesús is all about working hard, breaking things down, and holding high expectations all while having fun. A true master teacher. He sees everybody and expects maximum effort from all. He worked us HARD during the workshops in Portland. It was truly satisfying to see and feel the progress that we made in just four days. How can something be semi-torturous yet completely wonderful at the same time?
Here are seven pieces of advice from Jesús that will help you become a better flamenco dancer.
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Does the thought of taking a flamenco workshop with a master artist from Spain fill you with excitement or fear?
If you're anything like me you feel a little bit of both.
Here are some steps you can take before, during, and after a workshop to help manage any overwhelm that comes up:
Before the workshop
1. Decide what you want to get out of it
Set a workshop goal.
Do you want to master the choreography? Improve upon a specific technique? Get inspired? Become a better learner? Implement the teacher's personal styling? Simply have a fun experience?
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Do you have a hard time finding the motivation to practice?
I hear you.
. . . And I want to help!
Here are twenty ways to bring new life to your flamenco practice
The following ideas will not only spice up your practice but will also make you a better dancer. Apply them to a full choreography, part of a dance, a combination, or even a single step.
1. Do it while singing (or humming) the melody.
OBJECTIVE: Connect the music to the dance. Move your focus away from the steps. Improve your memory. Improve your focus.
2. Do one part over and over.
OBJECTIVE: Solidify and perfect a given part.
3. Do it facing different directions in the room.
OBJECTIVE: Stop relying on the mirror. Focus. Test your knowledge of the dance. Learn to adapt to different situations. Prepare for performance.
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This week's letra made me think of an experience I had years ago which has nothing to do with flamenco. It has to do with dishonesty and fear. It started with a question, which led to a lie, which in turn led to facing a fear. The facing fear part actually helped prepare me for flamenco where I'm forced to confront my fears over and over again. To my surprise, all of the practice meeting my fears in flamenco has only made it easier to do so in life outside of the dance.
More on that in a minute, but first let's take a look at the letra and watch a video of Mercedes Ruíz, our teacher on the Flamenco Tour to Jerez, dancing caña, all in red, with bata and mantón.
Caña
Popular
Subí a la alta montaña
buscando leña pa’ el fuego
como no la encontraba
al valle bajé de nuevo
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Have you given any thought to what you want to get out of your flamenco experience this year? If it has to do with making your hands look better, read on, for today I'll tell you about two common mistakes I see with flamenco hand movements and how to fix them. I'll also show you a video of Mercedes Ruíz, our teacher on the Flamenco Tour to Jerez, demonstrating how to move the hands correctly.
Sometimes we get so focused on learning the steps that we neglect details like hand movements. “I’ll get to it later,” we say. We may think we don't have time, that it’s not that important, or find it boring.
But practicing 'manos' is a must for every flamenco dancer
The good news is that there is not one right way to move the hands. Like other stylistic elements of flamenco dance, there is plenty of room for individuality in this area. Watch a few video clips of different professional dancers, and you'll see how personal hand and finger movements tend to be. Matilde Coral reminds her students to make their hands look like doves, Mercedes reminds us to open and use every finger.
While there may not be one right way to move the hands, there are wrong ways ...