Enjoy the following live Q & A with flamenco dancer, singer and cajón player, Manuel Gutierrez, where he shares all about his love of collaboration, performing, improvising, and teaching:
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“I never made a conscious choice to pursue flamenco. I was born in a place (Jerez) and into a family where flamenco was a natural part of life,” - David Lagos
Enjoy this brief video interview to learn more about one of the foremost flamenco singers of today, David Lagos, winner of the Premio Andaluz del Flamenco,
Curious how the pandemic lockdown affected Emilio Ochando’s artistic life?
Listen in on our recent conversation, or check out the summary below.
Emilio talked about how the pandemic has influenced his dancing and creativity, projects he’s been involved with, his upcoming online workshops, the Premios MAX, and what he’s envisioning for the future…
A couple of years ago on a rainy June day in Madrid, Marco Flores and I sat down at a café in his neighborhood of Lavapiés in Madrid for an interview.
You won’t find the usual information about how he got started in flamenco, etc. in the video below…
Flamenco dancer Cristina Hall talks about her life as an artist starting from her first class in her hometown of San Francisco all the way to Sevilla, Spain where she has resided for nearly twenty years. She touches on everything from practice to performance to the creative process to self expression to artistic choices to discipline, a must-listen for any flamenco dancer, student or professional.
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![Just Keep Showing Up | Flamenco Student Stories [Jackie]](https://images.squarespace-cdn.com/content/v1/568079e7bfe873f15c115eee/1587505862489-V0F76JZTRPATFVU1RC6T/IMG_6229.jpg)
Do you practice as much as you’d like to? What about simply showing up for class? How do you make time for flamenco in your life?
The following interview with Jackie Pasciak, flamenco dancer from Portland, Oregon, is packed full of gems and a must listen for students.
Jackie and I did this interview as we navigate shelter in place life during the height of the Coronavirus.
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![My Flamenco Community Keeps Me In It | Flamenco Student Stories [Julie]](https://images.squarespace-cdn.com/content/v1/568079e7bfe873f15c115eee/1586767354689-6SWCKCGGP6BHOJO1MZYQ/IMG_6251.jpg)
“What keeps me in flamenco is my flamenco community. When I’m away from flamenco for awhile the people and the community and the sense of supporting each other…is what I really miss and what always brings me back.”
Learn about Julie’s flamenco journey in this interview where she shares everything from how she got started to how she finds time for it in busy life to what she finds most challenging about flamenco. She even shares some advice for her fellow flamenco learners…
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Did you know Cristina Hall, who will be teaching in Portland this weekend, and YES, you can still join us, was named one of Dance Magazine's 25 to Watch?
I asked Cristina three questions about teaching, creation, and inspiration. Here’s what she had to say.
What do you enjoy most about teaching flamenco?
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You will be BLOWN AWAY watching Concha Jareño, our teacher for the Flamenco Tour to Madrid, dance in the video below of her bulerías workshop at Amor de Dios in Madrid.
Following the video you can read what she has to say about the difference between flamenco today as compared to sixty years ago and about sensuality and sexuality and how they do or don’t show up in her dancing.
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In this video interview flamenco dancer Karen Lugo talks about her beginnings in Guadalajara, her obsession with rhythm that drove her to move to Spain, her influences, how she uses improvisation, her creative process, what she enjoys about teaching, advice for students, how she decides what to wear on stage, and what inspires her.
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I love asking flamenco artists I admire what advice they have to offer to the flamenco student. Here are thirteen suggestions from some of the best:
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Video interview with flamenco dancer and choreographer Manuel Liñan, winner of Spain's prestigious National Dance Award (Premio Nacional de Danza 2017), where he talks about life as a professional flamenco dancer and choreographer.
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An interview with flamenco dancer Mercedes Ruíz where she talks about her beginnings, challenges she faced on the road to becoming a professional flamenco dancer, how she comes from a non-flamenco family (and how most of her family members don't even like flamenco), how motherhood has affected her dancing, what it's like working with her husband, what she loves about teaching, who some of her favorite dancers are, how she thinks it's never too late to start dancing flamenco, and the funny ritual that she must perform before going on stage.
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What should you do if if you have just 15-20 minutes a day to practice?
That’s what a student asked me to find out when I interviewed Jesús Carmona last month.
Here are the five recommendations he shared along with videos to help you get started on your own at home. (Some of what he advises might surprise you.)
1. Abdominal Exercises
The first thing Jesús mentioned was the need to strengthen our abs. Don't know where to start? Try this:
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What does it feel like to have been the first teacher to some of the most famous flamenco dancers from Jerez?
That's a question I asked Ana María López, one of the most influential flamenco instructors in Jerez, Spain, in the video interview you'll see below.
Sitting down with Ani . . .
In the interview Ani, as she's affectionately known, talks about how she grew up surrounded by flamenco in the San Miguel neighborhood of Jerez, began studying dance as a little girl, and later grew into one of the most well-known bulerías instructors around. She has been the primary teacher to some of the greatest flamenco dancers working today such as Mercedes Ruíz, Patricia Ibañez, and Carmen Herrera. Naturally, we study bulerías with her during the Flamenco Tour to Jerez. Watch through to the end of the video where you'll see her in the studio demonstrating how to dance bulerías with the cante and feel the joyful essence of Jerez.
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Flamenco singer Manuel Moneo passed away earlier this week.
The huge mural of him that you see in the picture above was steps away from where we study bulerías on the Flamenco Tour to Jerez in the historic flamenco neighborhood of San Miguel. (You can see a video on the making of the mural below.)
Manuel was known for his siguiriyas and soleá. Here you can watch him singing martinete in Carlos Saura's movie, Flamenco.
To sing flamenco well one needs to be able to feel and to love,
~ Manuel Moneo
He talks about this concept in the video interview below where you'll not only hear some of his story but also learn about the importance of el Barrio San Miguel, La Plazuela, to flamenco.
But first, let's listen to him sing por bulerías (con mucho arte). Here is one of the letras you'll hear:
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It's always fun to get a sneak peek into a flamenco dancer's life. So here's a brief video interview I did with Emilio Ochando last time he was in Portland. You'll find out what he enjoys about both teaching and performing as well as what kind of pre-performance rituals he does. Watch to the end for some outtakes. (The volume is low, and the quality is not the best, but don't worry, there are subtitles. Plus it gives you a chance to see just how gosh-darn cute this incredibly talented guy is!)
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If you ever get frustrated with flamenco, feel like you don’t belong, or feel like you’re too old to be doing this, read on for some words of wisdom from Mercedes Ruíz taken from past interviews along with a video to inspire.
(And if you’re curious to know more about this incredible woman we spend so much time dancing and learning with on the Flamenco Tour to Jerez, check out the links to all of the interviews I’ve done with her in full at the end of this post.)
When You Feel Like You Don’t Belong:
In our first interview Mercedes mentioned that she encountered a lot of problems on her way to becoming a flamenco dancer. This got me wondering, about what those obstacles were, and more importantly, how she handled them.
I thought about the flamenco world and it can be easy to feel left out or like you don't belong. (For me at least, because I let myself.) I wondered if any of that went on for Mercedes. Especially coming from Jerez, where people have some strong opinions about flamenco, how it is to be done, and who ought to do it. Prior to Mercedes, no one in her family had anything to do with flamenco. They still don't. Nor do they even like it really. So, I wondered how it must have felt for her, an outsider, to enter into this community. I learned that Mercedes, well,
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The great flamenco guitarist Juan Habichuela, 'Tío Juan,' known as the best cante accompanist, passed away last week.
You can see a video of him playing below along with an interview where he talks about his life as a flamenco guitarist. He says he is a guitarist who plays for cante, who loves accompanying cante, who loves cante, who loves flamenco, and that he'll die with all of that.
But first, a poem.
I saw this on Facebook, written and posted by guitarist Paco Cepero, and I wanted to share it with you:
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In November 2013 after the Flamenco Tour to Jerez was finished, I traveled to Barcelona to study with David Romero. (And to research holding a flamenco trip there with him, which is happening in November, woot!) My friend Stefani and I had daily classes with David (our own private flamenco workshop). Often times we would meet with him before or after class to have a coffee and chat.
And one day after class, I interviewed him
The interview took place in the little restaurant by the studio where we used to meet. We had lunch. We had café. And then we got to filming.
We did some shooting inside, some outside. I filmed some, Stefani filmed some. A couple of clips cut off in strange places because, well, I guess I stopped or started shooting too early or too late. Oops. I did my best to edit out the background noise, but you will definitely hear some potatoes being fried, sirens, a few outside voices, stuff like that. You'll also see some ladies on their way to the restroom, which happened to be our backdrop during part of the interview. I guess it all adds to the ambiente, the ambiance . . .
David has been dancing since he was three years old. He grew up going to peñas and hearing flamenco. He's from Barcelona, but his family is from Andalucía. In the video David talks about how his parents, originally from Huelva in Andalucía, ended up in Barcelona, the influences of hearing flamenco in his home, how he began dancing flamenco professionally (in a tablao when he was underage, having to run and hide when the authorities came by), his teaching philosophy, how he goes about creating a choreography and even just creating a step.