Quite awhile ago I published this letra. It was fall not spring when I posted it, and at that time I was preparing to embark on the VERY FIRST FlamencoTour to Jerez. Now as I get ready for the sixth (yes sixth!) tour, I'm re-posting it…
One of my favorite sites of the Andalucían countryside,
The olive trees
Below, a verse from a traditional Spanish song. Tío Gregorio El Borrico recorded it por alegrías...
Al olivo al olivo
al olivo subí
por cortar una ramita
del olivo caí
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Here’s another tientos letra that we did with Sol and a video of La Moneta dancing to it.
When Sol was here we studied cante por tientos. It was scary singing out loud in front of a bunch of people, even though we all knew each other... But it was great fun too.
Below is one of the letras we sang:
Tientos
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Cuando me meto en mi cama
hablo con mi Dios y le digo
que me parece mentira
lo que tu has hecho conmigo
When I go to bed
I speak with God and I tell him
that it seems a lie
what you've done to me
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Last week we were remembering Paco de Lucía.
Today let's remember Camarón with this video and this song
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Today a song that Paco de Lucía composed for his mother from the album of the same name which he dedicated to her, Luzía.
Las cuerdas de mi guitarra
están llorando…
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Today marks the one year anniversary of Paco de Lucía's passing. I reposted some words I wrote last year after it happened along with a favorite video (with you-know-who playing palmas) on the experience flamenco site.
Below, let's revisit one of his most popular pieces,
The classic Entre dos Aguas:
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Today on the one-year anniversary of Paco de Lucía's passing, in honor of him, I share with you some words I wrote last year upon learning of his death.
Paco se Fue...that's what the message said
It was 1:06 am.
I was in bed.
1:06 am last night,
And I received a text from Toshi.
“Paco se fue,”
That is what it said.
Oh my God,
Paco de Lucía passed away.
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The sun and the moon have been hanging out together in Portland today. I guess they're getting along.
(Below you can see the crescent moon I've been admiring in today's blue sky.)
Sol y Luna
El sol le dijo a la luna
vivir contigo no puedo
porque cuando digo blanco
tú siempre me dices negro
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Here’s a letra Sol, our visiting artist right now, loves
Soleá is said to be the backbone of flamenco,
"It touches my soul," she says.
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Today in Part Two of the Trust & Flamenco Series I share with you how I use bulerías to strengthen my intuition. It's actually not all that difficult.
Because bulerías invites me to trust.
To trust me.
I don't always accept the invitation, but when I do bulerías becomes my teacher.
It teaches me to listen to and honor that instinct that talks to me. To follow it instead of questioning it. Questioning it gets me into trouble, I tend to question, but following it leads me to good and truth.
Trust is something I’ve been working on for quite some time.
And I’m not talking about trusting others,
Cat lovers and cat haters (dislikers?), come one, come all. It's a coletilla por bulerías that we sang with Oscar last month, and it has to do with kitty cats:
Me araña
me araña el gatito
échalo pá trás
He scratches me
The cat scratches me
Get him away
(By the way, I myself am a cat lover.)
This is a version of this one.
A note about dancing bulerías and coletillas:
In class, Oscar talked about how when a singer runs out of coletilla while singing for you, he might start doing jaleo instead. (And Ani always says once you hear just jaleos, it is definitely time to get out!)
Feliz finde ~ Happy weekend!
Free Demo Class with Sol 'La Argentinita!'
Sol 'La Argentinita' is in town with the Portland Opera's production of Carmen. Lucky us! And the luckiest bit of all is that she's sticking around after the shows to give us workshops. They're happening February 18-22, and she'll be giving a free preview class next Wednesday, February 11 at 5:30pm. Come meet her and even dance and sing a bit too...
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I've talked before about how much I learn from flamenco. And I don't mean how much I learn about flamenco. Naturally I learn a lot about flamenco. But I'm talking about other things. Like trust for instance.
Trust
I have some issues when it comes to following my intuition.
I want to hear it. I want to trust it. I want to act on it.
If only it were that easy.
Fortunately flamenco has a lot to tell me about that.
Bulerías especially. Because with bulerías there are certain things I need to do. And as it turns out, these things also assist me in learning to go with my gut...
Four steps to following my intuition that I learned from flamenco:
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The gathering together. It lit me up at the first flamenco workshop I attended with a guest artist here in town when flamenco was still so new to me. It lit me up with the first workshop I set up with Ricardo in 2007 and with each one since. It lights me up with every Flamenco Tour to Spain.
The community
The FlamencoTour was born of my own struggles studying flamenco in Spain by myself and at the big festivals. The drive to do it was born of my longing to be there studying in an environment that felt safe and fun to me, amongst a small group of others interested in the same thing. Many of my past learning experiences in Spain did not feel (emotionally) safe, and very often the learning did not feel fun at all.
This was a problem.
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We wrap up Ida y Vuelta month with one more guajiras. Check it out then watch Concha Jareño dance.
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My dear friend and mentor, master flamenco teacher Oscar Nieto who is based in Vancouver, B.C., happened to be in Jerez last fall during the Flamenco Tour.*
While he was there Oscar got to meet the students and observe some of our classes and activities. Below read some impressions of the Flamenco Tour that he shared with me during a recent chat:
"If someone wants to go to Spain on their own...
How do they know where to go?
How do they know who to study with?
How do they know what to do?
In your trips it's all figured out for them
In your trips they’re safe in their cocoon.
The students come back, and they’ve had a full Spain experience.
They didn’t just go to a studio and take classes, but you encouraged them to be in the ambiente, to get outside of the studio. And then they build social networks. That is really important. Especially for women who are seeking their dream to finally do flamenco in Spain.
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Going to Spain was something she'd always wanted to do.
But life kept getting in the way
And then one day she realized that life wasn't going to let up,
that the perfect moment wasn't going to arrive,
that the time to go to Spain to study flamenco was now.
She realized waiting any longer made no sense.
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Today a vidalita letra and a video of Mayte Martín teaching cante...
This is part of the vidalita that Mayte Martin sings on her album Querencia. It's her adaptation of one by Juan Valderrama.
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For seven days I danced as if I were in class with Mercedes Ruíz, in my own way, just as you may have done in your own way. Seven days of class without class. Seven days of "dancing" wherever we were in whatever way we could and in whatever way we wanted to.
And now that the challenge is “over,” I want to look at how it doesn’t really have to be over.
I share below three ways to easily grow as dancers on any given day and in any given place. Whether you participated in the challenge or not, you can benefit from doing these three things. After that I’ll share some gains (expected and unexpected) that I've taken away from the experience.
Three (relatively) easy ways to keep the challenge going:
(... even if you didn't participate in it)