Day one has arrived, and the Holiday Challenge begins!
What it consists of
Each day for the next seven days I plan to:
- Do a few of my favorite Mercedes body technique exercises.
- Run one of her choreographies.
- Imagine Mercedes talking, giving me feedback.
If you’ve never studied with Mercedes, sin problema. No problem. You can still participate in the challenge. Just substitute another teacher for Mercedes, and do same three tasks using material from that teacher.
Make it work for you.
Now let’s get more specific about the daily activities
There are basically two “tasks.”
Yesterday I invited you to partake in the Dance as if You Were in Class with Mercedes Challenge with me. I figured it would be a fun way to keep some flamenco in our lives during the holidays while classes are on break. So, we'll be simulating being in class with Mercedes from the comfort of our own homes for seven days beginning December 25.
Below is a short activity to help you to get you ready.
By the way, I meant to send this out earlier today, but I was traveling to visit my family, and all of a sudden it's late! So, this can definitely be done on Day 1 of the challenge instead.
Optional warm-up activity
Materials needed: sticky notes or other paper, writing utensil, possibly this post.
Time it will take: 5-10 minutes.
I’ve talked before about the things from Jerez that I miss once I leave. And how one thing that I tend to miss enormously is having almost daily classes with Mercedes Ruíz.
I cannot have daily classes with Mercedes here in Portland for a very obvious reason.
The Very Obvious Reason:
Mercedes is not in Portland.
(Nor is her dance studio a mere three minute walk from where I live which is how it is in Jerez and which makes it easier than anything apart from having her in your bedroom to make it to her class.)
Although Mercedes in not in Portland and although I am not in Jerez, there is good news.
The Good News:
I can be there with her while being here without her, sort of.
How?
Will 2015 be the year to go to Spain? More on that below, but first a letra:
Bulerías
Popular
Qué dolor de mi mare
tengo la camisa sucia
no tengo quien me la lave
The sorrow of my mother
I have a dirty shirt
I have nobody to wash it for me
You can listen to it here.
Stay tuned next week for the final letra of 2014 and the final installment of this series of bulerías shared by Zorri. (Don't worry, you'll see more letras from him here and there in the future.)
Writing saved me in Jerez, ... And then it got in the way.
Today I want to talk about how writing can become, well, detrimental in class.
Yes, detrimental
I'll begin with another excerpt from my notebook:
April 19, 2011
Mercedes scolded me once again in class this morning, calling me back out onto the dance floor. Clearly I was to be dancing, not writing.
Yes, once again, Laura and her book has come up. It comes up a lot. No one else writes anything down in Jerez.
They don't get me, I know, but I totally don't get them either!
I can't imagine learning flamenco without pens and paper. I really can't.
On paper I take notes. On paper I figure things out. On paper I put the thoughts that circle inside my head. And there's just something I like so much about the feel of the pen moving atop the paper.
I often write in little books
They helped me a lot in the beginning, in Sevilla.
They help me today.
And they helped me a lot in Jerez.
Today another one that I got from Zorri. He is full of letras.
Literally.
This one is kind of fuerte.
Bulerías
Popular
Contigo bajé la cuesta
y ahora que quiero subirla
que trabajito me cuesta
I went down the hill with you
and now that I want to go back up,
Oh how much work it is
We all know a lot of the sentido gets lost in translation. The letras just don't have the same feeling in English. And then at times there are specific things that really cannot be translated within the verse itself.
Thank you for reading.
Thank you for supporting.
Thank you for being here.
Happy Thanksgiving.
I originally posted this here just before the very first Flamenco Tour in 2012. I wanted to share it with you today on the eve of Thanksgiving. Rereading it I feel grateful. Grateful for trust.
Grateful for the trust that allows me to do certain things that I fear. Things that I really want to do. Things that make my life richer. Without trust, I would miss out on so much.
So, thank you, trust.
Some good things
have happened since my trip began. And I've already learned something very important.
Os cuento...
On Monday I went to the Portland airport.
This week, since I am in Málaga, verdiales and a video.
Verdiales
Hojita de limón verde
y flor blanca de azahar…
sale mi niña a bailar,
y un rayo de sol se prende
en sus enaguas bordás.
If you've ever taken class with Mercedes Ruíz, you will likely recognize the words and phrases below. If you have not yet studied with her and plan to, prepare, because you are sure to hear these utterances over and over again.
If you have previously studied with her but were unsure of what she meant, read on, and find out.
If you have not studied with her and don't plan to, read anyway because the first eight are important tips to remember all of the time in your independent practice or in anybody's class.
Let's Begin
This is a letra that Zorri sang the other night.
Watching Zorri laugh after singing it was the best, and then hearing him laugh because, well, if you've ever heard his laugh,
It's a laugh that makes you laugh. That on top of the meaning of the letra, let's just say it made for a good laughing session.
Bulerías
Popular
Ten cuidao con ese gato
que se coma una a una
las sardinitas del plato
Be careful with that cat
because one by one it eats
the little sardines from the plate
We were supposed to go to a tablao that night, but that didn't happen.
Ricardo is here, and I’m already disappointing him. He arrived on Tuesday, and it didn’t take long.
I’ll tell you about the desilusión and share three dance tips (Ricardo López) from his class last night. Three tips that are important to keep in mind at all times.
First, the disappointment
There’s really a lot of me feeling disappointed with myself going on.
Why didn’t I study before he came?
Why didn’t I make it a point to remember things he’d taught me in the past?
Why don’t I just pick things up quickly and do them well right away?
Why haven’t I been working on my technique more?
It started on Tuesday when he arrived.
The MGA (Mystery Guest Artist) supplied me with today's letra.
It’s tangos:
Last night at Manuel Liñan’s show, I heard this letra and had to write it down.
So I took out my little book and scribbled the first line down.
Ricardo looked at me and laughed.
My biggest issue with bulerías when I got to Jerez was transitions. Well, ok, that’s not really true, my biggest issue after fear. But the transitions.
It was like all of a sudden I couldn’t see them.
And I didn’t know what to do.
I've since learned how to approach difficult transitions more gracefully. (I'll tell you how in just a moment.) I'll also explain to you in detail the transition that almost gave me a nervous breakdown along with some things you might like to know about "counting" bulerías de Jerez.
But first, allow me to give you some background ...
Me and the bata de cola.
You could say that there’s really no excuse for me not being able to dance well with the bata.
Because I’ve had several experiences, various opportunities to learn.
I'll tell you about a one of my favorites today, and after the story, I'll tell you why you should study the bata even if you don't ever want to dance with it, and I'll share with you another bata need-to-know.
A [very] brief history of my bata experiences
You know about the first,
People are often asking me about my how I got started dancing flamenco, so I’m going to tell you a story from that time today. At the end of the story you’ll find a tip on dancing with the bata de cola, it's an essential, and you can work on it anywhere, in the bathroom, in the bedroom ...
But first, Spain
This will make your day.
TRUST me.
It's a video of David Lagos live por alegrías accompanied by his brother, Alfredo Lagos.
You should know, if you don't already, that David is nice.
You should also know, if you don't already, that he writes beautiful letras.
And you might as well know that one of my favorite things ever is listening to David Lagos sing por alegrías and that when I hear him sing alegrías live I cry every time ...
Evelyn likes being in the back of the room. In the back where she thinks she can hide.
In the back where it feels safe.
Evelyn is a student and a reader here. I wish you could meet her.
She sent us an email, Evelyn did. She wrote it in response to this.
I wanted to share it with you immediately upon reading it.
She talked about wanting to hide in the back of the class. Even wanting to leave. About feeling stupid. And about feeling afraid.
I knew these thoughts she spoke of
As a fellow fearful stay-in-the-back-of-the-classer, I knew these thoughts.
I figured you might know them too, so I asked her if I could share her words with you. And she said yes.
