Rhythm,
You either have it or you don’t.
Can we please bust this myth right now?
Because rhythm can be learned.
How to dance flamenco, flamenco travel in Spain, flamenco dance students and their experiences, interviews with flamenco artists, translations of flamenco letras (songs) from Spanish to English
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rhythm
Rhythm,
You either have it or you don’t.
Can we please bust this myth right now?
Because rhythm can be learned.
Sound made with the feet in flamenco is most commonly called zapateado, coming from the word zapato (shoe.) It can also be called taconeo coming from the word tacón (heel). Here are the basic flamenco footwork techniques that are used to create sound patterns with the feet.
Do you wonder where to go to learn about flamenco history? Flamenco singing? Flamenco styles? The terminology?
Below you’ll find a variety of resources to assist you on your quest for more flamenco knowledge.
Tangos flamencos are sensual and playful. Earthy and fun. Grounded and feminine. Tangos is a four-count rhythm and can be one of the most comfortable flamenco rhythms to groove to. Check out this video of La Lupi teaching and rehearsing tangos with the Ballet Nacional de España, and you'll see what I mean. There are a variety of tangos letras of different lengths and subject matter. Here's one for you today followed by video of a very young Estrella Morente signing it.
Tangos
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Cautivaron a una mora
y a España se la trajeron
y en la pila del bautismo
Candelaria le pusieron.
Thinking about that first trip to Spain in 1998 has reminded me that I need to step it up in the doing things that scare the *#%~&> out of me category. Read on for a lesson around that idea and more of my story from that first trip. Also, find out why it's essential to listen to flamenco music, read a letra about Sevilla, then see a video of Juana la del Revuelo, Aurora Vargas, and Remedios Amaya ...
During my time in Sevilla I saw these women perform. During my time in Sevilla I saw these women perform live. As you'll see from the video below, it was wonderful. Their CDs were among some of the first I purchased once I accepted the fact that I needed to start listening to flamenco music. You see, in the beginning I wasn't very interested in listening to the music, especially cante, unless I was dancing, but Chris convinced me to start listening. He said I needed to do this to understand and internalize the compás.
Below find another tangos from La Niña de los Peines followed by a recording and a palmas activity for you.
A mi madre abandoné
por tu querer solamente
Ahora me veo solita
sin madre y sin tu querer
Last night we were doing palmas with Pedro.
It's something we do when we come to Jerez.
Naturally people had many questions
and requests.
Someone asked to do some palmas por alegrías
... since we'd been dancing alegrías with Mercedes.
Pedro talked about las alegrías de Córdoba. He mentioned the letra about the platero.
It's the final installment of the interview series with Perico Navarro. Today he shares some advice for all students, talks about what inspires him, talks about the role of cajón in Jerez, and tells us how he feels about audiences in Jerez and beyond. You'll also see a video with Mercedes Ruíz dancing to Paco Cepero's guitar with Pedro accompanying.
¿Qué te inspira? Yo como percusionista flamenco siempre voy acompañando algún artista.