Guitarists, I think you’re going to like this one.
Following the letra you’ll find a video that touches on how you can accompany something like this.
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guitarra
Today, this first day of February, a letra from Manuel Machado along with a video of Paco de Lucía, La Tana, Duquende, Montse Cortés, Niño Josele, Antonio Serrano, Alain Perez, and El Piraña.
Malagueñas
Manuel Machado
Las penas que tú me das
son penas y no son penas;
que tienen cositas malas,
y tienen cositas buenas.
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I'm still in a bulerías mood as I prepare to head to Jerez for the Flamenco Tour in a couple of weeks.
And so, today I have a video clip to share with you of a little girl from Jerez named Triana dancing bulerías (her signature dance of course) for Rafael Amargo. She starts off by singing the following letra then dances while her dad sings and plays guitar for her. You're going to love it.
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If you like exploring how letras can vary, if you're looking to practice bulerías to cante at a comfortable speed, or if you just want to get better at bulerías, then consider today's post a treat. You'll find a video with examples of one letra interpreted in two different ways along with a short activity to help you train your ear and get better at improvising.
First, the letra:
Bulerías
Popular
El sitio donde te hablé
ganas me dan de volverme
y sentarme un ratito en él
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The great flamenco guitarist Juan Habichuela, 'Tío Juan,' known as the best cante accompanist, passed away last week.
You can see a video of him playing below along with an interview where he talks about his life as a flamenco guitarist. He says he is a guitarist who plays for cante, who loves accompanying cante, who loves cante, who loves flamenco, and that he'll die with all of that.
But first, a poem.
I saw this on Facebook, written and posted by guitarist Paco Cepero, and I wanted to share it with you:
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You already know about the two main settings for flamenco.
Today I want to discuss the five main elements of flamenco,
- cante
- baile
- guitarra
- palmas
- jaleos
I’ve chosen to share one video and discuss the five main elements of flamenco within it.
Let’s take a closer look:
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Dancing to the cante. It is what every dancer from Jerez does, professional or non.
It is the dancer conversing with the singer.
In order to dance to the cante,
You must become familiar with the letras (song verses) and engage with the singer when dancing.
To gain familiarity with the letras:
1. Listen a lot.
2. Take a cante class, and study the letras.
To engage with the singer when dancing:
1. Observe what other good dancers do. (Hint: Notice the way Carmen responds to José in the video.)
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Awhile ago I posted the first letra of this alegrías by David Lagos along with an unbelievably wonderful video of him singing it live accompanied by his brother Alfredo Lagos. Today find a couple more not to be missed videos of David performing it, along with the first letra. One is him live in Cádiz, and the other is him singing for Mercedes Ruíz dancing in a bata de cola during a rehearsal.
Que es chiquita y salerosa
no le pongáis tanta falta…
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I told you that today I'd post a video of Manuel Molina singing...
Along with another letra:
Que Nadie Vaya a Llorar
Que nadie vaya a llorar el día que yo me muera
es más hermoso cantar aunque se cante con pena
que nadie vaya llevar ni flores ni ropa negra
no me vayáis a enterrar para pudrirme bajo tierra
es más hermoso cantar mientras mi carne se quema
y luego me ofrecéis al mar o al aire o sobre la arena o en un jardin,
me da igual
pero cuando yo muera que nadie vaya a llorar
Nobody cry the day that I die
It's more beautiful to sing even if one sings with sorrow
Nobody bring flowers or wear black clothes
Don't bury me just to rot underground
It's more beautiful to sing while my flesh burns
And then offer me to the sea, or to the air, or over the sand, or in a garden,
It doesn't matter to me,
But when I die, nobody cry
You can watch another version here, one that will be part of the upcoming Flamenco Sin Fronteras documentary.
Oh, and you might want to check this out as well.
At his funeral, people sang as he requested, and his daughter, Alba Molina wore white.
You might also enjoy these...
My main obstacle to bulerías has always been fear.
It's no different from my main obstacle in life
I know indecision well.
No wonder bulerías has always been so hard for me,
Not enough trust.
In a moment I'll tell you how I've let go of a lot of my bulerías fears (and how you can do the same).
Because the truth is, now I kind of can't get enough of bulerías.
It is not that the fear has been eradicated, it's that the excitement and fun usually slide it over to the side now. Gracias excitement and fun.
But before I get into any fear eradication techniques, let me give you a bit of background:
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Bulerías
Si tú piensas que me caigo
con un pie yo me mantengo
si tú tienes quien te quiera
también tengo quien por mi pase duquelas.
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When we're on the FlamencoTour, we hear Santi practicing. A lot.
Santiago Lara, that is.
We're in the studio dancing. He's either in the bathroom or upstairs practicing.
When it's time to play for us Mercedes calls for him,
"Santi!"
I can hear her saying it now.
Actually, if you listen carefully you can hear her saying it in the video below at about 1 minute 50 seconds...
I first interviewed him in the spring of 2013. Unfortunately, I lost all of that footage. I know, back up.
So, I interviewed him again last fall.
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Here is a letra por bulerías and a video of Paco de Lucía & Camarón de la Isla.
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A letra for today ~
La guitarra que no suena
es lo mismo que la mar
que nunca besa la arena
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Another story from Jerez...
Somehow I convinced everyone to go to bulerías class with me
I told them how it terrified me. I told them I was terrorized by it. But they still wanted to go.
I took them there even before our first class with Mercedes.
I needed for them to see it. I was hoping they would want to take it too. I was worried they might think it was too much on top everything else.
Physically it is not demanding. So, that would be no issue.
But mentally, well...
I had told them about it the night before
They were ready for certain things.
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Today a video of Vicente Amigo and Diego el Cigala along with a letra and a discussion. Enjoy!
La Tarde es Caramelo
Vicente Amigo
Cerca del río hay un sendero
donde la tarde es caramelo
cerca del río yo me pierdo
me encontraré cuando me encuentre con tus besos.
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I left almost immediately after the show ended last night.
And people said, ¿Te vas Laura, Ya?
"You're leaving, now?"
Sí, me voy.
Even though the show just ended. I wasn't even waiting to see if something exciting happened next. I wasn't even staying to socialize some more. I was going home as early as 12:30 am...
Sí.
It was a peña show last night. At Peña La Bulería.
Read on for a video and a story
What motivates you to continue? You, and dancers and artists like you who find the art form exciting and challenging and this in turn makes you want to improve “your art.” I guess to be fair, it’s also the art form itself. Sometimes I hate it because it can be so unforgiving, and sometimes I love it when I see beautiful dance or hear beautiful music and cante. Lots of contradictions with this art form.