How to dance flamenco, flamenco travel in Spain, flamenco dance students and their experiences, interviews with flamenco artists, translations of flamenco letras (songs) from Spanish to English
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This is a story about how doing less in bulerías can serve us well. It's the follow up to the previous post on observation. Read on, and find out how to simplify your bulerías and perhaps even your life a bit too.November 2013, Jerez de la Frontera, Spain
She said she was going to show them how to dance on a losa.
Pequeña,
Y por fiesta.
Small,
And party style.
It was Ani who said that. Ana María López. She said it on a Monday morning in Jerez.
A story on the value of observation from a past Flamenco Tour (followed by four bulerías take-aways):
About flamenco and Jerez and what I'm doing here and what I want to learn here.
And I set some intentions for the week.
I had a few.
To observe people dancing bulerías. Especially people whose dancing I liked. In class and out. Anywhere and everywhere.
To watch them, really watch them. And to notice what was happening.
To notice how they responded to the cante.
To notice how they danced with the compás.
To notice when they did what they did.
To notice the things I liked.
To notice the things that worked.
Maybe even to notice the things I didn't like.
And to notice the things that didn't work.
That was the day Ani taught the ladies about dancing on a floor tile. I'll tell you about that in the next post.
It was also the day she read my mind.
Pequeña.
Y por fiesta.
It was Ani who said that. Ana María López. She said it on a Monday morning in Jerez.
We had been there for a little over a week I guess.
And on this particular Monday morning the ladies had gone to bulerías class ahead of me.
