How to dance flamenco, flamenco travel in Spain, flamenco dance students and their experiences, interviews with flamenco artists, translations of flamenco letras (songs) from Spanish to English
Viewing entries tagged
bata de cola
When you hear the word guajiras, who do you think of?
Any chance Concha Jareño comes to mind?
Below you’ll find a guajiras letra and a video that Concha put together from a series of guajiras tutorials she put out from her home studio during this Coronavirus Quarantine.
Below watch (and be blown away by) Emilio Ochando's award-winning piece Tinevo, which took first place in the XXVº Certamen de Coreografía de Danza Española y Flamenco, where he and three other dancers do their thing with castanets and bata de cola. They dance to this original fandangos by Los Makarines:
Fandangos
Los Makarines
Cantan las hojas,
bailan las peras en el peral,
bailan las rosas,
rosas del viento no del rosal,
y nubes y nubes flotaban,
dormían al ras del aire,
todo el espacio giran con ella,
la fuerza del AIRE.
Today find a peteneras letra and a video of Mercedes Ruíz interpreting it.
Petenera
Yo no creo ni en mi madre
Aunque de mí hable la gente
Que todo en este mundo es mentira
Madre de mi corazón
No hay más verdad que la muerte
No hay quién me lo contradiga
Soleá apolá
Todo el mundo le pide a Dios
la salud y la libertad
y yo le pido la muerte
no me la quiere mandar
The whole world asks God
for health and freedom
And I ask for death
He doesn't want to send it to me
You already know about the two main settings for flamenco.
Today I want to discuss the five main elements of flamenco,
I’ve chosen to share one video and discuss the five main elements of flamenco within it.
Let’s take a closer look:
Me and the bata de cola.
You could say that there’s really no excuse for me not being able to dance well with the bata.
Because I’ve had several experiences, various opportunities to learn.
I'll tell you about a one of my favorites today, and after the story, I'll tell you why you should study the bata even if you don't ever want to dance with it, and I'll share with you another bata need-to-know.
You know about the first,
People are often asking me about my how I got started dancing flamenco, so I’m going to tell you a story from that time today. At the end of the story you’ll find a tip on dancing with the bata de cola, it's an essential, and you can work on it anywhere, in the bathroom, in the bedroom ...
The estribillo below and the way he sings it,
Well ...
Enjoy today's letra and watch this video of Belén Maya and Manuel Liñan.
Mi vida es mía
y tu vida es tuya
por qué no las juntamos
y hacemos una leré
Popular
I found this letra in the Antología del Baile Flamenco. (Gracias, Angel por haberme regalado este libro.) It was written for Matilde Coral. She was one of my first teachers.
I really ought to tell you about my first encounter with her. In Triana, on La Calle Castilla, at her academy.
I had no idea who she was, other than that she was a flamenco dancer, when I went to see her. We met in her office.
but I only understood bits and pieces.
That's kind of how it was that whole first year in Spain. Most of the time I only partially understood people. I did however understand what Matilde wanted me to do. And I did not want to do it. In fact, I refused to.
But, I'm not going to tell you about that today...
For today, just this letra and a video of Matilde Coral dancing alegrías
A Matilde Coral
Daniel Pineda Novo
This week, a sevillanas by Lorca.
And look, here's our favorite Ricardo dancing to this very song in a bata de cola in a video dancing with Compañia Rafaela Carrasco.
"I want to be in class with Mercedes ALL of the time." That is what I wrote in my journal on April 13. But let's go back in time.
I came back to Jerez on Friday, March 25 and began investigating classes to take.
But I secretly didn't want to go to any.
A week in Jerez by myself. Poor planning by Laura. When will I learn that it simply is not fun for me to do these things alone? A week spent looking for studios, making calls, trying to understand when and where the different classes took place, feeling relief as I kept arriving at the wrong times and missing them. There is a semi-funny reason for this, but you'll have to wait to hear about it in a future post...I would like to say that this was on account of Spanish unpredictability, but it wasn't.
March 6 Sunday There is a different energy this week compared to last week. Is it due to the rain? - actually closer to the way I remember spring weather in Spain - Or perhaps it is that some of the excitement has worn off? Or is it that I am taking classes by myself this week, without any of my compañeras from home. I was only signed up for one festival course, so I decided to take a tangos workshop from Tatiana Ruíz, the daughter of Chiqui de Jerez. The girl ought to be a sergeant in the US Army, though I suppose she talks too much for that. In any case, she worked us hard today and clearly took great pleasure in doing so. My brain quickly went into overload as I tried to execute the steps at a seemingly impossible pace while at the same time struggling to understand how in the world Tatiana moved her body as she did. Later that afternoon I headed to my bata de cola class with Alicia Márquez. It moved slowly, so I was able to get things, but still, how ever do I get this awkward train to cooperate and do what Alicia's does?! As I walked down the halls of the bodega after class, I poked my head in the various rooms and fantasized that it was my home.
